For my four midterm drawings, I chose to draw three various still lives of the same set-up and one still life composed entirely out of three-dimensional figures. The still life set-up that would be used for three of my midterm drawings consisted of a large tea kettle, a coffee mug, a box of tea, and small coffee pods. I elected to use the 6B and 8B graphite pencils, the mars lumograph pencil, the graphite stick, the vine charcoal, and the compressed charcoal. The charcoal was blended into the paper with the help of q-tips.
I chose to use graphite for general shapes and forms such as the tea kettle and the mug. On the other hand, I chose charcoal to show form and to work on areas that needed to be blended, such as dark areas and shadows in the foreground and the background. The shape of the tea kettle in the works that it appeared in was constantly being moved around, erased, and resized because it failed to look like a tea kettle (from the extreme vantage point drawing) or because it was too close to other objects.
I encountered issues with perspective, value, and shape. Objects were either too close or too spaced out. I had trouble finding the light source and so objects appeared flat, and other times they did not look anything like the direct reference. In order to solve the lighting problem for value, I took photos of my set-up and wrote down which direction the light was coming from lightly on my paper, so I would remember which areas were supposed to be darker and which were supposed to be lighter.
The majority of the marks made on the drawings are intentional and great care was taken for the mediums and materials, as well as for the marks that were not intentional — for example, any stray fingerprints made by the charcoal were erased with the gum eraser before the assignment was turned in. The stray light marks on the tea kettle (see close up photograph) were initially made accidentally, but because it helped to show where the lightest parts of the kettle were I elected to keep the marks and even add them to the other tea kettles in the other two drawings.
A lot of time was spent planning the locations of the objects and shapes out on the paper but even more time was spent finalizing the final shapes and applying areas of light and shadow. The planning process took one and a half hours but the working process must have taken twice or thrice as long, because I had to keep going back to fix my mistakes. Since this was taking too long, I had to sit myself down — as to avoid getting up and losing my focus whenever I needed to reposition myself or take a break so my hand wouldn’t cramp up — and go back to the planning process in order to reposition the location and sizes of the shapes. In the end, I think doing this made all the difference as I was able to complete all four drawings and make them look as realistic as possible.



